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Drone stock for a set of Lowland Scottish bagpipes

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by J. Massie, Aberdeen, early 19th century

Drone stock for a set of Lowland Scottish bagpipes
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Drone stock for a set of Lowland Scottish bagpipes made of hardwood mounted with ivory by J. Massie of Aberdeen, early 19th century. It is drilled for three drones and decorated with three sets of three 'combing' rings. Formerly stock of J. and R. Glen, Edinburgh, or from the collection of the firm's proprietors. There are pipes by the same maker in the Wilton Lodge Museum, Hawick and the McCord Museum, Montreal.

The Lowland pipes, or Border bagpipe, was a distinctive instrument by the 18th century. It has a chanter and three drones - two tenors and a bass - and sounded and tuned as the Great Highland bagpipe but would generally not have produced such a strident and carrying sound. A distinguishing characteristic was the mounting of the three drones in a common stock, and the use of bellows strapped under the arm to provide a supply of air. Such a bagpipe would sometimes be described as a 'cauld wind pipe', in contrast to the mouth-blown bagpipe in which the player's breath was hot and lurid. The lowland pipes were the instrument favoured by the Town or Burgh Piper of Lowland Scotland.

This piece comes from the Glen and Ross Collection of musical instruments which were preserved in the shop of 'J & R Glen, Highland Bagpipe Makers' until it closed about 1978. This was the business founded in 1827 by Thomas McBean Glen in the Cowgate in Edinburgh, dealing in and repairing musical instruments. His brother, Alexander Glen, specialized in bagpipe-making and was succeeded by his son David. Thomas' sons, John and Robert Glen, succeeding to the business in 1866, probably did most to collect instruments and their antiquarian interests were carried on by Andrew Ross who acquired the business from the Glens in 1947. The National Museum of Antiquities of Scotland purchased the bagpipe collections from the family in 1983.

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