000-000-579-719-C
Chanter from a set of two-drone Highland bagpipes
attributed to Robert Glen, Edinburgh
© National Museums Scotland
000-000-579-934-C
Front of bagpipe chanter for the Uilleann pipes
early 19th century
© National Museums Scotland
000-000-579-832-C
Practice chanter reed with two blades of plastic
1960s
© National Museums Scotland
000-000-579-840-C
Biscuit tin containing 26 bagpipe chanter and drone reeds
made by Macfarlane, Lang and Co. Biscuits, Glasgow and London, early 20th century
© National Museums Scotland
000-000-579-691-C
Chanter for a set of bellows-blown Lowland Scottish bagpipes
probably Scottish, late 18th century
© National Museums Scotland
000-000-579-624-C
Chanter for a set of Highland bagpipes with six bindings
© National Museums Scotland
000-000-579-526-C
Chanter for a set of Scottish Lowland bellows-blown bagpipes
Scottish, early 19th century
© National Museums Scotland
000-000-579-821-C
Glass bottle containing six Highland bagpipe chanter reeds
collected by Robert Thomson, Bagpipe Maker, Leicester, 1930s - 1950s
© National Museums Scotland
000-000-579-650-C
Highland bagpipe chanter by tradition played at the Battle of Waterloo
18th century
© National Museums Scotland
000-000-579-651-C
Highland bagpipe chanter by tradition played at the Battle of Waterloo
18th century
© National Museums Scotland
000-000-579-652-C
Highland bagpipe chanter by tradition played at the Battle of Waterloo
18th century
© National Museums Scotland
000-000-579-987-C
Highland bagpipe chanter with range extended by four notes
Scottish, 19th century
© National Museums Scotland
000-000-580-051-C
Practice chanter, scale with single gracenotes (audio clip)
© National Museums Scotland
000-000-579-788-C
Turned bone chanter stock for a set of Union bagpipes
late 18th century
© National Museums Scotland
000-000-579-692-C
Chanter sole for a set of bellows-blown Lowland Scottish bagpipes
probably Scottish, late 18th century
© National Museums Scotland
000-000-579-942-C
Chanter stock and top piece for the Uilleann pipes
possibly by George Glen of Edinburgh, early 20th century
© National Museums Scotland