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Tenor and baritone regulator for a set of Uilleann pipes

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by Malcolm MacGregor, London, early 19th century

Postcard of Tenor and baritone regulator for a set of Uilleann pipes.
000-000-579-925-C
© National Museums Scotland

Tenor and baritone regulator for a set of Uilleann pipes

Tenor and baritone regulator for a set of Uilleann pipes by Malcolm MacGregor of London, early 19th century. They are set in a common stock with bass and tenor drones. The baritone regulator extends back into the stock to maintain sounding length while bringing the keys into line with the tenor regulator keys. Regulators were added to the Union pipe and Uilleann pipe in the late 18th and 19th centuries to provide chordal accompaniment to the chanter. These regulators may be associated with keyed chanter by Malcolm MacGregor (K.2003.721). Formerly stock of J. and R. Glen, Edinburgh, or from the collection of the firm's proprietors.

The Irish bagpipe, known today as the Uilleann pipes was developed by bagpipe makers in the late 18th and 19th centuries. It was based on the earlier Pastoral and Union Pipes which were used in the pastoral dramas and ballad operas of the 18th century. In this form, it was always a bellows-blown instrument and originally had a long or 'flat' chanter and two drones in a common stock. The tonal range could be extended for orchestral performance by cross-fingering and overblowing. In the late 18th century, keys were added to the chanter to increase the melodic range and regulators were added to the drones to provide chordal accompaniment to the chanter.

This piece comes from the Glen and Ross Collection of musical instruments which were preserved in the shop of 'J & R Glen, Highland Bagpipe Makers' until it closed about 1978. This was the business founded in 1827 by Thomas McBean Glen in the Cowgate in Edinburgh, dealing in and repairing musical instruments. His brother, Alexander Glen, specialized in bagpipe-making and was succeeded by his son David. Thomas' sons, John and Robert Glen, succeeding to the business in 1866, probably did most to collect instruments and their antiquarian interests were carried on by Andrew Ross who acquired the business from the Glens in 1947. The National Museum of Antiquities of Scotland purchased the bagpipe collections from the family in 1983.


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Online ID: 000-000-579-925-C
Image Rights Holder: National Museums Scotland
Project: 0869: The Bagpipe Collection
Project description | View all records in project
Ref: National Museums Scotland  K.2003.722 (2)
Date: Early 19th century (date of manufacture)
Material: Ebony, silver, ivory and rosewood
Dimensions: Baritone regulator 395 mm L; tenor regulator 304 mm L
What: Regulators for a set of drones for the Uilleann pipes
Subject:
Who: Andrew Ross (successor to John and Robert Glen)
Glen and Ross Collection (musical instrument collection)
John and Robert Glen, Highland Bagpipe Makers
Malcolm MacGregor (manufacturer)
Reid School of Music, University of Edinburgh (place of display)
Where: England, London (place of manufacture)
Event: Festival of Flanders Exhibition, 1968
Description: Ebony and silver and ivory mounted set of drones for the Uilleann pipes.
References:
  • Festival of Flanders Exhibition Catalogue, No. 67. 1968.
  • Baines, Anthony,. Bagpipes. Occaisonal Paper on Technology 9, Oxford University Press, 1973. 
    Find in NLS: Title, Author, Title+Author or British Library: Title, Author, Title+Author
  • Cheape, Hugh,. A Checklist of Bagpipes in the Edinburgh University Collection of Historic Musical Instruments. Edinburgh: Reid School of Music, 1983, pp. 13-14.
    Find in NLS: Title, Author, Title+Author or British Library: Title, Author, Title+Author
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