000-000-579-875-C
Title page of 'The Caledonian Repository of Music Adapted for the Bagpipes'
by William Gunn, Glasgow, 1848
© National Museums Scotland
000-000-579-857-C
Trade envelope with a vignette of a piper
for J. and R. Glen, Bagpipe Makers, Edinburgh, c. 1900
© National Museums Scotland
000-000-580-057-C
Traditions of the Old Pipers, Traditional wedding celebrations in Orkney recalled by Mrs Sinclair in 1938 (audio clip)
© BBC Scotland
000-000-579-641-C
Treble clef punch used in music engraving
by music printers and publishers Aird and Coghill, Glasgow, until 1972
© National Museums Scotland
000-000-579-839-C
Tube with one end stopped for carrying Union bagpipe reeds
owned by William Mackie, 19th century
© National Museums Scotland
000-000-579-837-C
Tube with stopped ends for carrying Union bagpipe chanter reeds
owned by William Mackie, 19th century
© National Museums Scotland
000-000-580-067-C
Tune from Joseph MacDonald's Compleat Theory of the Scots Highland Bagpipe, c. 1760, played on an early instrument by Decker Forrest (audio clip)
Reel
© National Museums Scotland
000-000-580-066-C
Tune from the Campbell Canntaireachd, played on a replica 18th century bagpipe by Barnaby Brown (audio clip)
© National Museums Scotland
000-000-580-050-C
Tune, Holme's Fancy, played on an early form Northumbrian smallpipe by Pauline Cato (audio clip)
© National Museums Scotland
000-000-580-049-C
Tune, How She'll ne'er be Guided, played on a late 20th century Lowland bagpipe by Iain MacInnes (audio clip)
© National Museums Scotland
000-000-580-045-C
Tune, Jamie Allan, played on a copy of a mid 18th century Scottish smallpipe by Julian Goodacre (audio clip)
© National Museums Scotland
000-000-580-046-C
Tune, Oran Na Maighdinn-Mhara, played on an early 19th century Scottish smallpipe by Iain MacInnes (audio clip)
© National Museums Scotland
000-000-580-052-C
Tune, The Carrick Hornpipe, played on a late 20th century Northumbrian smallpipe by Pauline Cato (audio clip)
© National Museums Scotland