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Turned stock of bone for a set of Union bagpipes

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owned by William Mackie, 19th century

Turned stock of bone for a set of Union bagpipes
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Turned stock of bone fitted with a brass sleeve, 19th century. For bellows or blowpipe for a set of Union bagpipes (H.1995.795.1) that belonged to William Mackie.

The Union Bagpipe was developed for chamber music and light opera performance in the early 18th century. It is a form of bellows-blown chamber bagpipe which survives today in the versatile Irish Uilleann pipe. In the early form, it was a popular and fashionable musical instrument but now it is not generally seen beyond museum collections. It had a wider melodic range than the standard bagpipe and this was achieved in the early stages by overblowing and later by adding keys to the chanter. 'Regulators', which were stopped pipes with keys and mounted with the drones, were added to the instrument in the second half of the 18th century and were used to provide chord accompaniment to the chanter. The Union Bagpipe was used for orchestral performance in the ballad opera tradition of the 18th century and later for operatic arrangements of the Ossian Cycle.

Bellows have long been used as an alternative means of supplying air for playing bagpipes. The dry air is less damaging to the reeds. A small set of bellows with leather stitched to two wooden boards is usually strapped round the player's waist, and the outer board with an inlet valve tied to the player's arm at the elbow is drawn out and compressed slowly to maintain a steady supply of air to the reeds through a connecting pipe into the bag. Bellows had been used to supply air to the organ since the medieval period and we have sure evidence for their use with bagpipes from the early 17th century. Bellows have remained in use for example with French bagpipes, the Uilleann pipe of Ireland, the Northumbrian pipes, Scottish Lowland and small pipes, as well as in bagpipes in Eastern Europe.

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