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Small pipe chanter for a set of Northumbrian small pipes

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18th century

Small pipe chanter for a set of Northumbrian small pipes
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Small pipe chanter of ivory for a set of Northumbrian small pipes with a leather, stitched bag inside a red baize bag trimmed with red braid. The drones, chanter and stocks are made of ivory and the drones have metal mounts. The chanter is of the plain open type. Attached to the blowpipe is a small keyhole shaped bellows with possibly mahogany boards inlaid with satinwood and a skin body covered in plum velvet. The instrument is of 18th century date when there was a vogue for the use of ivory in musical instrument making. Although they were never tonally successful in comparison with hardwoods, such instruments were treasured for their visual qualities. The keyed chanter may be of early 19th century date.

The Northumbrian pipes are a small bellows-blown instrument with drones in a single stock and a chanter stopped at the lower end and played with 'closed' fingering, that is producing he desired note by lifting a single finger. This gives a staccato style of playing and the melodic range was extended by adding keys to the chanter.

John Peacock, a famous player of the Northumbrian pipes, is said to have added four keys to the chanter about 1800, and Robert Reid of North Shields added more keys and improved the instrument. In the late 18th and 19th centuries the finest pipes were being made in Newcastle-upon-Tyne and North Shields.

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